![]() Well known are then to the chronicles of the time the events of love with Marie de Flavigny Countess d’Agoult, already married and mother of two daughters, began in 1833 in the house of George Sand, androgynous lover of Chopin, and lasted about ten years. Apparently, he was so inundated with requests for locks of hair from his pen admirers that he took a dog to which he cut small locks of hair, pretending they were his own. Many anecdotes tell of his charm: when a rejected Russian noblewoman apparently threatened him with a gun when, assailed by fatigue and asleep on his piano, he awoke among a dozen women who were portraying him on a sheet of paper when Countess Olga Janina attempted suicide for him. In fact, the cascade of long hair that descended on his temples, the tapered fingers grafted on large and elusive hands, the elongated build, the tapered physique, the magnetic or absorbed look, the strong personality, culture, and amiability made him a perfect object of worship: the very prototype of the romantic artist imbued with genius and unruliness. The following years are characterized by non-stop travels throughout Europe, inlaid with numerous concerts and new compositions after having stayed in Switzerland and Italy, Berlin is the chosen place where, at the age of thirty, his skill as a pianist obtains such a success, especially among the female public, that leads the poet Heinrich Heine to coin the term “lisztomania”. ![]() After moving to Vienna, where he was also a pupil of Antonio Salieri, he went with his family to Paris, a city where he made the acquaintance of great musicians of his time, such as Chopin, Berlioz, and Mendelssohn. Hearing the greatest violin in history, in 1831, was in fact a real revelation for the young Liszt there, at that moment, he decided to adopt violinistic imprinting in his way of playing, refined in a harmonic language in which bold chromaticisms and sharp and disruptive peaks mix, in a succession of rises and falls, with delicate melodic suites.įranz Liszt, born in a region that at the beginning of the nineteenth century was in the Magyar part of the Austro-Hungarian Empire, at an early age received piano lessons from his father, a strict and ambitious music teacher. His life is one of the most exciting novels in the music history of every genre and he was surrounded – a bit like Paganini whom he considered his great artistic model – by an aura of genial artist, violently divided between mystic ecstasy and demonic vocation. Art shows itself to my eyes in all its splendor it reveals itself to me in its universality and unity.įranz Liszt was one of the most brilliant personalities ever in the panorama of classical music: he was an intellectual, a traveler, a writer, a great seducer, a piano virtuoso who could fill concert halls, but above all a tireless composer. In this regard, in a letter to Hector Berlioz, he wrote:īeauty in this privileged country appears to me in its purest and most sublime forms. Totally permeated by the romantic ideal of art as a poetic transfiguration of existence, able to achieve a creative moment of osmosis between poetry, music, and painting, the composer, born Octoin Raiding, Burgenland, was fascinated by the Italian culture and poured his passion for Italy in many of his compositions. Salieri as his first tutor, Paganini as inspiration and aspiration, Dante, Michelangelo, and Tiziano as artistic muses Franz Liszt’s passion for Italy has been translated into a symphony that is not only musical: a real score, lived, felt by the composer with an intense love for our country of which he explored landscapes, literature, lyricism, and traditions translating them into his expressive language.
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